OLIVAR — les prompts.

La planche de marque se génère d'un coup, avec quatre visuels déjà produits en référence : le modèle ne redessine rien, il compose. Logo, palette, typo et imagerie sortent sur une seule page — c'est la pièce qui fait passer une série d'images pour une marque.

Design a single BRAND IDENTITY BOARD for the fictional brand OLIVAR, presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark OLIVAR very large, set in a fine letter-spaced serif for the wordmark and a small sans for captions
· under it, the descriptor VIERGE EXTRA in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: OLIVE #4E5B33, BOTTLE #16210F, STONE #E6E1D4, GOLD GREEN #9AA84B, BARK #6B5540
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — Mediterranean, agricultural, honest. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

Design a single BRAND IDENTITY BOARD for the fictional brand [BRAND NAME], presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark [BRAND NAME] very large, set in [TYPEFACE FOR THE WORDMARK] for the wordmark and [TYPEFACE FOR THE CAPTIONS] for captions
· under it, the descriptor [PRODUCT DESCRIPTOR] in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: [COLOUR 1 #HEX], [COLOUR 2 #HEX], [COLOUR 3 #HEX], [COLOUR 4 #HEX], [COLOUR 5 #HEX]
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — [THREE ADJECTIVES THAT DEFINE THE BRAND]. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

Point de départ de toute la campagne : le produit, généré seul sur fond neutre. Un verre presque noir est le pire cas en packshot — il n'y a rien à éclairer. La solution est écrite noir sur blanc dans le prompt : la softbox est derrière et à gauche, jamais devant. On n'éclaire pas la bouteille, on éclaire à travers.

Ultra high-end commercial packshot of a 500ml olive oil bottle standing upright, centred, on a seamless warm olive-green backdrop with a soft graduated falloff. The bottle is tall dark-green glass, almost black, with squared shoulders and a matte black screw cap sealed with a small wax band. A tall narrow label in uncoated stone-white paper runs down the front, reading OLIVAR vertically in fine letter-spaced dark green capitals, with HUILE D'OLIVE VIERGE EXTRA in tiny caps beneath and a small line-engraved olive branch at the base. Studio lighting: one large softbox behind and to the left for a long green glow through the glass shoulder, a tight rim light on the right edge, a soft shadow to the lower right. Photorealistic, 8K, macro-level detail, premium advertising aesthetic, immaculate reflections. No other text, no watermark, no hands.

Ultra high-end commercial packshot of a [VOLUME] [PRODUCT TYPE] standing upright, centred, on a seamless [BACKGROUND COLOUR] backdrop with a soft graduated falloff. The [CONTAINER] is [ITS MATERIAL AND COLOUR, PUSHED TO ITS EXTREME], with [ITS SILHOUETTE DETAIL] and [THE CLOSURE + HOW IT IS SEALED]. A [LABEL SHAPE] label in [LABEL PAPER] runs down the front, reading [BRAND NAME] [HOW IT IS SET] in [TYPE STYLE AND COLOUR], with [THE LEGAL OR CATEGORY LINE] in tiny caps beneath and [A SMALL ENGRAVED MOTIF] at the base. Studio lighting: one large softbox behind and to the [DIRECTION] for a long [COLOUR] glow through [THE PART THAT TRANSMITS LIGHT], a tight rim light on the [DIRECTION] edge, a soft shadow to the lower [DIRECTION]. Photorealistic, 8K, macro-level detail, premium advertising aesthetic, immaculate reflections. No other text, no watermark, no hands.

Le plan qui pose le monde de la marque. Sur un produit d'épicerie fine, on vend le lieu avant le contenu : la bouteille n'est qu'un des objets de la table, l'oliveraie derrière fait tout le reste du travail.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a stone table under an olive tree at golden hour, the bottle beside a bowl of olives and a torn loaf, the grove falling away behind. Warm, Mediterranean, wide.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a [NATURAL SURFACE] table under [THE TREE OR PLANT THE PRODUCT COMES FROM] at golden hour, the [PRODUCT] beside [A BOWL OF THE RAW INGREDIENT] and [A SIMPLE FOOD], [THE LANDSCAPE] falling away behind. Warm, [THE REGION], wide.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Contre-jour : l'huile devient vert-or et lumineuse. C'est la seule image de la série qui montre le contenu — sans elle, on ne vend qu'une bouteille noire dont personne ne sait ce qu'elle contient.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro of a thin green-gold thread of oil pouring from the bottle onto a white ceramic spoon, backlit so it glows. High-speed flash, dark.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro of a thin [COLOUR] thread of [THE CONTENT] pouring from the [CONTAINER] onto [A NEUTRAL RECEIVING SURFACE], backlit so it glows. High-speed flash, dark.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Mortier, ail, lin froissé, lumière de volets qui raye la pierre. Ici la bouteille n'est plus un flacon, elle est un ingrédient — c'est le plan qui la fait entrer dans la cuisine de l'acheteur.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle on a worn stone kitchen counter beside a mortar, garlic and a linen cloth, hard shutter light striping the surface. Rustic, warm, editorial.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] on a worn [STONE OR WOOD] counter beside [A TOOL OF THE TRADE], [A RAW INGREDIENT] and [A TEXTILE], hard shutter light striping the surface. Rustic, warm, editorial.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Mains usées, olives fraîches, la bouteille volontairement hors du plan net. Ce visuel n'est pas là pour vendre, il est là pour la crédibilité — et c'est exactement pour ça qu'il fonctionne.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — weathered hands cupping fresh olives with the bottle standing behind out of focus, dusty afternoon light. Documentary, earthy.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — weathered hands cupping [THE FRESH RAW INGREDIENT] with the [PRODUCT] standing behind out of focus, dusty afternoon light. Documentary, earthy.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

La bouteille au centre d'une table dressée pour plusieurs. On ne vend plus une huile, on vend le repas qu'elle rend possible — le plan qui fait passer un produit d'épicerie du panier au cadeau.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle at the centre of a laid outdoor table with plates, bread and a carafe of wine, evening light. Lifestyle, warm, generous.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] at the centre of a laid outdoor table with [TABLEWARE], [A SHARED FOOD] and [A DRINK], evening light. Lifestyle, warm, generous.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Papier non couché, capitales espacées, branche gravée. Sur un produit d'épicerie fine, l'étiquette EST le produit : c'est la seule chose que l'acheteur touche avant d'acheter.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro travelling along the stone-white label, the engraved olive branch and the letter-spaced capitals razor sharp against the dark glass. 100mm macro.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro travelling along the [LABEL MATERIAL] label, [THE ENGRAVED MOTIF] and [THE TYPOGRAPHY] razor sharp against [THE MATERIAL BEHIND IT]. 100mm macro.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Lumière froide, acier, banc de travail. Le seul plan froid d'une série chaude : il casse le côté carte postale et dit que derrière le folklore il y a un outil de production sérieux.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the bottle on a steel bench beside a stainless tank in a modern mill, cool clinical light. Industrial contrast, precise.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the [PRODUCT] on a [INDUSTRIAL SURFACE] beside [THE PRODUCTION EQUIPMENT] in a modern [PRODUCTION SITE], cool clinical light. Industrial contrast, precise.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Le plan de clôture : symétrie stricte, ombre dure, branches et olives entières et coupées autour de la bouteille couchée. Une série a besoin d'une image qui la referme — celle-ci sert aussi de visuel de couverture.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a strict overhead flat lay on warm olive green: the bottle lying flat dead centre, surrounded by olive branches, whole and halved olives and a ceramic dish of oil. Hard shadow, symmetry.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting with a large backlit scrim to open the near-black glass, 16-bit colour workflow, gourmet retouching, ultra-high-resolution 4K product photography with the label razor-sharp against dark glass.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a strict overhead flat lay on [BACKGROUND COLOUR]: the [PRODUCT] lying flat dead centre, surrounded by [THE PLANT IT COMES FROM], [THE RAW INGREDIENT, WHOLE AND HALVED] and [A DISH OF THE CONTENT ITSELF]. Hard shadow, symmetry.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [THE LIGHTING TRICK THAT SOLVES YOUR HARDEST MATERIAL], 16-bit colour workflow, [RETOUCHING STYLE] retouching, ultra-high-resolution 4K product photography with [WHAT MUST STAY READABLE] razor-sharp against [THE SURFACE IT SITS ON].

Dix secondes, onze plans, aucune personne, aucun lieu. La bouteille reste posée et c'est la caméra qui tourne autour ; seul le fond change à chaque coupe, toujours dans l'olive et le vert-or. C'est le format le plus rentable : pas de casting, pas de tournage en Méditerranée, et il tient sur n'importe quel produit d'épicerie.

SCENE CONTEXT
A 10-second vertical kinetic product spot for OLIVAR, an extra virgin olive oil. No people, no location. A single olive and gold-green colour world, the bottle standing with the camera orbiting it in every shot, roughly one second per shot, the backdrop changing on every cut inside the olive and gold-green palette.

ACTIVE REFERENCES
@image1 - the OLIVAR bottle. A 500ml tall near-black green glass bottle with squared shoulders, a matte black screw cap with a wax band, and a tall narrow stone-white label reading OLIVAR vertically in fine dark green capitals with HUILE D'OLIVE VIERGE EXTRA beneath and a small engraved olive branch. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, a soft graded floor the bottle stands on from the first shot. Each shot uses one backdrop from the olive and gold-green palette: smooth olive gradient, gold-green bokeh, crossing warm light bars, drifting fine mist, or a near-black field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on the near-black glass shoulder with a green edge where light passes through, a gold green glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across light transmitting through the dark glass shoulder.
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the bottle on a deep olive gradient at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, olives bursting outward past the lens in a spray of green-gold.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as a thick thread of oil coils around the bottle on gold-green bokeh.
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the bottle between crossing warm gold light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on the engraved olive branch on the label, the line work razor sharp.
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting fine mist, the bottle flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, the matte black cap and its wax band, a highlight crossing the seal.
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the bottle, the vertical OLIVAR label filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. The gold green of the oil matches into a gold green light bar, camera arcing at 30 km/h across a near-black void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The bottle settles into its final position on a wet stone reflective floor, camera pushing in steadily.

ACTION
Light passes through dark glass. The camera orbits the bottle. Olives burst outward. A thread of oil coils around it. The engraved branch fills frame. The cap and wax band catch light. The bottle settles on wet stone.

PHYSICS
The bottle is roughly 800 grams full. Oil holds its coil with true viscosity and glows green-gold when backlit. Dark glass transmits only at the edges. The base lands with a hard contact.

LIGHTING
Hard specular key from camera-left at 4800K raking across the bottle, a tight rim light on the right edge, gold-green practicals in the background. White balance fixed at 4800K. Atmospheric haze at 20%.

COLOR GRADE
60:30:10 - deep olive dominant, stone white secondary, gold-green accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, a glass ring, an oil pour, olives dropping, a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The bottle design stays identical to @image1 in every shot: near-black glass, squared shoulders, matte black cap with wax band, and the stone-white vertical OLIVAR label with HUILE D'OLIVE VIERGE EXTRA and the engraved olive branch legible. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

SCENE CONTEXT
A 10-second vertical kinetic product spot for [BRAND NAME], [WHAT THE PRODUCT IS IN FIVE WORDS]. No people, no location. A single [COLOUR 1] and [COLOUR 2] colour world, the [PRODUCT] standing with the camera orbiting it in every shot, roughly one second per shot, the backdrop changing on every cut inside the [COLOUR 1] and [COLOUR 2] palette.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION — materials, finishes, colours, and every word printed on it]. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, a soft graded floor the [PRODUCT] stands on from the first shot. Each shot uses one backdrop from the [COLOUR 1] and [COLOUR 2] palette: smooth [COLOUR 1] gradient, [COLOUR 2] bokeh, crossing [ACCENT COLOUR] light bars, drifting [THE PARTICLE OR HAZE THAT SUITS YOUR PRODUCT], or a deep [DARK COLOUR] field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on [THE MOST TEXTURED DETAIL OF THE PRODUCT], a [ACCENT COLOUR] glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across [THE SIGNATURE TEXTURE OF THE PRODUCT].
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the [PRODUCT] on a deep [COLOUR 1] gradient at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, [WHAT BURSTS OR SPRAYS OUTWARD OFF THE PRODUCT] past the lens.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as [THE LIQUID OR PART THAT CAN WRAP AROUND IT] coils around the [PRODUCT] on [COLOUR 2] bokeh.
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the [PRODUCT] between crossing [ACCENT COLOUR] light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on [THE MOST SPECULAR OR TRANSLUCENT SURFACE], [WHAT THE LIGHT DOES TO IT].
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting [THE PARTICLE OR HAZE THAT SUITS YOUR PRODUCT], the [PRODUCT] flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, [THE ONE PHYSICAL EVENT OR DETAIL ONLY THIS PRODUCT HAS].
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the [PRODUCT], [THE ELEMENT THAT FILLS FRAME] filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. The [ACCENT COLOUR] of [WHERE THAT COLOUR COMES FROM ON THE PRODUCT] matches into a [ACCENT COLOUR] light bar, camera arcing at 30 km/h across a deep [DARK COLOUR] void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The [PRODUCT] settles into its final position on a [REFLECTIVE FLOOR MATERIAL] reflective floor, camera pushing in steadily.

ACTION
[THE SEVEN OR EIGHT EVENTS ABOVE RESTATED IN ONE SHORT SENTENCE EACH, IN THE SAME ORDER].

PHYSICS
The [PRODUCT] is roughly [ITS REAL WEIGHT]. [THE ONE MECHANICAL BEHAVIOUR THAT MUST BE TRUE — how it breaks, pours, compresses or springs back]. [HOW ITS MAIN MATERIAL BEHAVES WITH LIGHT AND WITH WATER]. [HOW IT LANDS].

LIGHTING
Hard specular key from camera-left at [COLOUR TEMPERATURE]K raking across the [PRODUCT], a tight rim light on the right edge, [ACCENT COLOUR] practicals in the background. White balance fixed at [COLOUR TEMPERATURE]K. Atmospheric haze at [PERCENTAGE]%.

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, [THE THREE OR FOUR PHYSICAL SOUNDS THE PRODUCT ITSELF MAKES], a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] design stays identical to @image1 in every shot: [THE FULL LIST OF WHAT MUST NOT CHANGE, INCLUDING EVERY WORD PRINTED ON IT], every character sharp and legible. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

L'inverse exact de l'hyper motion : caméra posée sur dolly et grue, jamais à l'épaule, quatre temps de deux secondes et demie. Un lieu, une personne, une progression — les volets, le filet d'huile sur le pain, la planche qu'on emporte, la bouteille seule dans la lumière rayée. C'est ce qu'on vend le plus cher parce que ça ressemble à une vraie pub.

SCENE CONTEXT
A 10-second vertical commercial spot for OLIVAR, an extra virgin olive oil. Late morning in a Mediterranean farmhouse kitchen. Composed camera on a dolly and a crane, never handheld. Four beats in a structured arc, roughly two and a half seconds each.

ACTIVE REFERENCES
@image1 - the OLIVAR bottle. A 500ml tall dark-green glass bottle, almost black, with squared shoulders, a matte black screw cap with a wax band, and a tall narrow stone-white label reading OLIVAR vertically in fine dark green capitals with HUILE D'OLIVE VIERGE EXTRA beneath and a small engraved olive branch. 100% matches the reference.

LOCATION MAP
A farmhouse kitchen: a worn stone counter, whitewashed walls, blue shutters half open onto an olive grove, a wooden board with bread, a ceramic bowl. The set contains only what is listed here.

FIRST FRAME / BLOCKING
Frame opens on the shutters as hard light cuts into the kitchen in stripes.

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, clean spherical rendering.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. Slow crane descent through the striped light onto the stone counter at 2 km/h, the grove visible through the shutters.
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. Slow push-in as a woman in her sixties tips the bottle and pours a thin green-gold thread over torn bread.
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. Slow lateral dolly as she carries the board out to a table in the light, the bottle standing on the counter in the foreground.
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. Slow crane rise pulling back to the counter, the bottle alone in the striped light with its label legible, the grove beyond.

ACTION
Hard light cuts through shutters. A woman pours a thread of oil over torn bread. She carries the board out into the light. The bottle stays on the stone counter.

PERFORMANCE
She moves with the flat certainty of someone who has done this every day for forty years. Nobody performs for the lens.

PHYSICS
The bottle is roughly 800 grams full with a hard contact on stone. The oil pours with real viscosity and coats the bread. Dark glass transmits a green edge where backlit.

LIGHTING
Hard late-morning sun through half-open shutters from camera-right at 5400K throwing striped shadows, warm bounce from whitewashed walls. Atmospheric haze at 10%.

COLOR GRADE
60:30:10 - warm stone white dominant, olive green secondary, gold-green accent.

AUDIO
Diegetic only: cicadas outside, bread tearing, oil pouring, a board set down on wood. No dialogue, no subtitles.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, unhurried editorial pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The bottle design stays identical to @image1 in every shot: near-black glass, squared shoulders, matte black cap with wax band, and the stone-white vertical OLIVAR label with HUILE D'OLIVE VIERGE EXTRA and the engraved olive branch legible. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the bottle is never shown isolated on a studio backdrop and never appears without a person in the scene.

SCENE CONTEXT
A 10-second vertical commercial spot for [BRAND NAME], [WHAT THE PRODUCT IS IN FIVE WORDS]. [TIME OF DAY] in [THE PLACE] as [WHO IS THERE AND WHAT THEY ARE DOING]. Composed camera on a dolly and a crane, never handheld. Four beats in a structured arc, roughly two and a half seconds each.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION — materials, finishes, colours, and every word printed on it]. 100% matches the reference.

LOCATION MAP
[THE SET, LISTED ONCE: the surface the product sits on, the furniture, the light sources, what is visible through the window or the door]. The set contains only what is listed here.

FIRST FRAME / BLOCKING
Frame opens on [THE FIRST THING THE VIEWER SEES, BEFORE THE PRODUCT].

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, clean spherical rendering.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. [THE OPENING MOVE AND ITS SPEED IN KM/H, AND WHAT IT TRAVELS PAST BEFORE REACHING THE PRODUCT].
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. [THE MOVE] as [WHO THEY ARE, AGE INCLUDED] [THE SINGLE GESTURE THEY MAKE WITH THE PRODUCT].
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. [THE MOVE] as [THE WIDER HUMAN MOMENT AROUND THE PRODUCT].
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. Slow crane rise pulling back, [WHERE THE FRAME LANDS, WITH THE WORDMARK LEGIBLE].

ACTION
[WHAT HAPPENS, ONE SHORT SENTENCE PER BEAT, IN ORDER].

PERFORMANCE
[HOW THEY MOVE — the one habit that shows they do this every day]. Nobody performs for the lens.

PHYSICS
The [PRODUCT] is roughly [ITS REAL WEIGHT]. [THE TWO OR THREE MATERIAL BEHAVIOURS THAT MUST BE TRUE]. [WHAT ELSE IN THE SCENE MOVES WHEN THEY MOVE].

LIGHTING
[THE MAIN SOURCE, ITS POSITION AND ITS COLOUR TEMPERATURE IN K], [HOW FAST IT FALLS OFF], [THE COLD OR WARM SPILL THAT BALANCES IT]. Atmospheric haze at [PERCENTAGE]%.

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
Diegetic only: [THE FOUR SOUNDS THE SCENE ITSELF MAKES, INCLUDING THE ONE THE PRODUCT MAKES]. No dialogue, no subtitles.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, unhurried editorial pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] design stays identical to @image1 in every shot: [THE FULL LIST OF WHAT MUST NOT CHANGE, INCLUDING EVERY WORD PRINTED ON IT], all text legible. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the [PRODUCT] is never shown isolated on a studio backdrop and never appears without a person in the scene.

On ne génère jamais une vidéo UGC d'un coup. On fabrique d'abord cette image fixe, on la valide, et seulement ensuite on l'anime. Rater le fixe coûte 0,20 $, rater la vidéo sept fois plus.

Tout le prompt travaille à tuer le beau : pas de flou d'arrière-plan, pas d'étalonnage, pas de lumière de studio, du bruit de capteur, un cadrage raté, de la peau non retouchée. C'est exactement l'inverse des huit visuels précédents — et c'est pour ça qu'il est écrit en prose et pas en JSON.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, front camera, held at arm's length in their own free hand.

A woman in her sixties, weathered hands, silver hair in a low bun, wearing a linen shirt. They are mid-sentence, caught talking — mouth open on a word, eyebrows slightly raised, eyes locked on the lens. Not smiling, not posing.

SETTING — her kitchen, a wooden board and a torn loaf on the counter beside her. It looks real and lived-in, not styled for a shoot, with ordinary everyday things around them.

FRAMING — a real front-camera selfie: the head fills most of the frame with the wide-angle distortion of a selfie lens. The crop is imperfect, the top of the head lightly cut by the frame edge, something intruding at the bottom corner. Slightly off-centre.

IMAGE QUALITY — raw front-camera video still: slightly soft, visible sensor noise, heavy phone HDR flattening the contrast, a window or lamp blown out to white. No cinematic depth of field, no colour grading, no studio light.

SKIN — real and unretouched: shine on the forehead and nose, visible pores, uneven tone, stray flyaway hairs. No beauty filter, no smoothing.

THE PRODUCT — they hold the bottle low near the collarbone in one hand. It keeps exactly the shape, the colours, the materials and every letter of the text of the reference image, at true real-world scale.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, front camera, held at arm's length in their own free hand.

[THE PERSON: age, hair, plain unbranded clothing with no logo and no text of any kind]. They are mid-sentence, caught talking — mouth open on a word, eyebrows slightly raised, eyes locked on the lens. Not smiling, not posing.

SETTING — [A REAL PLACE WHERE THIS PRODUCT ACTUALLY LIVES], [THE TWO OR THREE ORDINARY THINGS VISIBLE BESIDE THEM]. It looks real and lived-in, not styled for a shoot, with ordinary everyday things around them.

FRAMING — a real front-camera selfie: the head fills most of the frame with the wide-angle distortion of a selfie lens. The crop is imperfect, the top of the head lightly cut by the frame edge, something intruding at the bottom corner. Slightly off-centre.

IMAGE QUALITY — raw front-camera video still: slightly soft, visible sensor noise, heavy phone HDR flattening the contrast, a window or lamp blown out to white. No cinematic depth of field, no colour grading, no studio light.

SKIN — real and unretouched: shine on the forehead and nose, visible pores, uneven tone, stray flyaway hairs. No beauty filter, no smoothing.

THE PRODUCT — [THE ONE THING THEY DO WITH IT USING THEIR SINGLE FREE HAND — the other hand is holding the phone]. It keeps exactly the shape, the colours, the materials and every letter of the text of the reference image, at true real-world scale.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

L'image validée devient la première frame de la vidéo. Le téléphone reste dans une main, bras tendu : il ne reste qu'une seule main libre, donc un seul geste possible par temps — verser un filet d'huile juste sous le cadre, hors champ. Deux répliques, une au début, une à la fin, et rien entre les deux : c'est ce silence qui empêche le modèle d'inventer du dialogue.

Continue this phone video from the exact frame shown. They film themselves with the phone in one hand at arm's length the whole time. ONE SINGLE CONTINUOUS TAKE, no cuts, no scene changes.

They speak ONLY these two lines, each said ONCE and never repeated:
Line 1, at the very start: "My grandmother pressed her own. I know what it should taste like."
Line 2, at the very end: "This is the first one I've bought that comes close."
Between the two lines they say NOTHING at all — silent, only acting.

Beat 1 — already mid-sentence, delivering line 1 straight into the lens with a small eyebrow raise.
Beat 2 — SILENT: their free hand brings the dark bottle up close to the lens and turns it so the tall label faces the camera and stays readable, then lowers it. Eye contact kept, lips pressed together, no words.
Beat 3 — SILENT: they pour a thin thread of oil onto a spoon just below frame and look back up.
Beat 4 — leans back, shrugs one shoulder and delivers line 2 with a small closed-mouth smile.

Keep the raw look of the frame: the head stays large with selfie wide-angle distortion, the crop stays imperfect, the window stays blown out white, the image stays slightly soft with phone HDR flatness and sensor noise. Natural body sway throughout, never still. Real unretouched skin.

The product stays exactly as in the frame in every beat: the near-black glass, the matte black cap, the stone-white vertical label and the engraved olive branch, sharp and unchanged, never distorted, never resized and never losing its text.

Close-mic phone audio with the voice up front, faint room tone, no music. Raw iPhone footage, TikTok storytime energy, no-filter realism. Vertical 9:16. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.

Continue this phone video from the exact frame shown. They film themselves with the phone in one hand at arm's length the whole time. ONE SINGLE CONTINUOUS TAKE, no cuts, no scene changes.

They speak ONLY these two lines, each said ONCE and never repeated:
Line 1, at the very start: "[THE HABIT OR THE OBJECTION THE VIEWER ALREADY HAS IN MIND]"
Line 2, at the very end: "[WHAT CHANGED FOR THEM, IN THEIR OWN WORDS — never a slogan]"
Between the two lines they say NOTHING at all — silent, only acting.

Beat 1 — already mid-sentence, delivering line 1 straight into the lens with a small eyebrow raise.
Beat 2 — SILENT: their free hand brings the [PRODUCT] up close to the lens and [THE MOVEMENT THAT MAKES THE LABEL OR THE MATERIAL READABLE], then lowers it. Eye contact kept, lips pressed together, no words.
Beat 3 — SILENT: [THE ONE PROOF GESTURE — the thing only somebody who really owns it would do].
Beat 4 — leans back, shrugs one shoulder and delivers line 2 with a small closed-mouth smile.

Keep the raw look of the frame: the head stays large with selfie wide-angle distortion, the crop stays imperfect, the window stays blown out white, the image stays slightly soft with phone HDR flatness and sensor noise. Natural body sway throughout, never still. Real unretouched skin.

The product stays exactly as in the frame in every beat: [THE LIST OF EVERY ELEMENT AND EVERY WORD THAT MUST NOT CHANGE], sharp and unchanged, never distorted, never resized and never losing its text.

Close-mic phone audio with the voice up front, faint room tone, no music. Raw iPhone footage, TikTok storytime energy, no-filter realism. Vertical 9:16. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.